A riveting, minute-by-minute account of the momentous event that changed our world forever
On a quiet Monday morning in August 1945, a five-ton bomb—dubbed Little Boy by its creators—was dropped from an American plane onto the Japanese city of Hiroshima. On that day, a firestorm of previously unimagined power was unleashed on a vibrant metropolis of 300,000 people, leaving one third of its population dead, its buildings and landmarks incinerated. It was the terrifying dawn of the Atomic Age, spawning decades of paranoia, mistrust, and a widespread and very real fear of the potential annihilation of the human race.
Author Stephen Walker brilliantly re-creates the three terrible weeks leading up to the wartime detonation of the atomic bomb—from the first successful test in the New Mexico desert to the cataclysm and its aftermath—presenting the story through the eyes of pilots, scientists, civilian victims, and world leaders who stood at the center of earth-shattering drama. It is a startling, moving, frightening, and remarkable portrait of an extraordinary event—a shockwave whose repercussions can be felt to this very day.
The pace of Walker's narrative replicates the frantic advance of August 1945. BBC filmmaker Walker won an Emmy for his documentary on the bombing of Hiroshima and brings precision jump-cuts to this synesthesic account of the 20th century's defining event. Beginning his story three weeks before August 6 (with the first test of a bomb some of its creators speculated might incinerate the earth's atmosphere), Walker takes readers on a roller-coaster ride through the memories of American servicemen, Japanese soldiers and civilians, and the polyglot team of scientists who participated in the Manhattan Project under Gen. Leslie Groves. He establishes the doubts, fears and hopes of the bomb's designers, most of whom participated from a fear that Nazi Germany would break the nuclear threshold first. He nicely retells the story of Japan's selection months before as a target, reflecting the accelerated progress of the war in Europe, and growing concern among U.S. policymakers at the prospect of unthinkable casualties, Japanese as well as American, should an invasion of Japan's "Home Islands" be necessary. Walker conveys above all the bewilderment of Hiroshima's people, victims of a Japanese government controlled by men determined to continue fighting at all costs. Shockwave's depiction of the consequences invite comparison with John Hershey's still-classic Hiroshima. (Aug.) Copyright 2005 Reed Business Information.