The nation's capital that serves as the setting for the stories in Edward P. Jones's prizewinning collection, Lost in the City, lies far from the city of historic monuments and national politicians. Jones takes the reader beyond that world into the lives of African American men and women who work against the constant threat of loss to maintain a sense of hope. From "The Girl Who Raised Pigeons" to the well-to-do career woman awakened in the night by a phone call that will take her on a journey back to the past, the characters in these stories forge bonds of community as they struggle against the limits of their city to stave off the loss of family, friends, memories, and, ultimately, themselves.
Critically acclaimed upon publication, Lost in the City introduced Jones as an undeniable talent, a writer whose unaffected style is not only evocative and forceful but also filled with insight and poignancy.
Young and old struggle for spiritual survival against the often crushing obstacles of the inner city in these 14 moving stories of African American life in Washington, D.C. Traveling street by street through the nation's capital, Jones introduces a wide range of characters, each of whom has a distinct way of keeping the faith. Betsy Ann Morgan, ``The Girl Who Raised Pigeons,'' finds inspiration in the birds she cares for on the roof of her apartment building. Middle-aged Vivian Slater leads a hymn-singing group in ``Gospel.'' The narrator of ``The Store'' labors to build up a neighborhood grocery; in ``His Mother's House,'' Joyce Moses collects photographs and cares for the expensive home her young son has bought her with his crack earnings. Depicting characters who strive to preserve fragile bonds of family and community in a violent, tragic world, Jones writes knowingly of their nontraditional ways of caring for one another and themselves. His insightful portraits of young people and frank, unsensationalized depictions of horrifying social ills make this a poignant and promising first effort. (June)