Why did the youthful optimism and openness of the sixties give way to Ronald Reagan and the spirit of conservative reactiona spirit that remains ascendant today?
Drawing on a wide array of sourcesincluding tabloid journalism, popular fiction, movies, and television showsPhilip Jenkins argues that a remarkable confluence of panics, scares, and a few genuine threats created a climate of fear that led to the conservative reaction. He identifies 1975 to 1986 as the watershed years. During this time, he says, there was a sharp increase in perceived threats to our security at home and abroad. At home, America seemed to be threatened by monstrous criminalsserial killers, child abusers, Satanic cults, and predatory drug dealers, to name just a few. On the international scene, we were confronted by the Soviet Union and its evil empire, by OPEC with its stranglehold on global oil, by the Ayatollahs who made hostages of our diplomats in Iran. Increasingly, these dangers began to be described in terms of moral evil. Rejecting the radicalism of the '60s, which many saw as the source of the crisis, Americans adopted a more pessimistic interpretation of human behavior, which harked back to much older themes in American culture. This simpler but darker vision ultimately brought us Ronald Reagan and the ascendancy of the political Right, which more than two decades later shows no sign of loosening its grip.
Writing in his usual crisp and witty prose, Jenkins offers a truly original and persuasive account of a period that continues to fascinate the American public. It is bound to captivate anyone who lived through this period, as well as all those who want to understand the forces that transformedand continue to definethe American political landscape.
… Jenkins has produced a humdinger. This is the kind of book that should usually be avoided like the plague: a professor rowing through the turbulent waters of politics, pop culture and satanic cults is, more often than not, a ticket for a nausea-inducing voyage that leaves the trembling passenger desperate for the more solid footing of traditional history. Nothing of the sort occurs with Jenkins. He provides an engrossing tour of the recesses of the American mind, demonstrating that the 70's were about more than "Saturday Night Fever" and "Smokey and the Bandit."