Martha Carrier was one of the first women to be accused, tried and hanged as a witch in Salem, Massachusetts. Like her mother, young Sarah Carrier is bright and willful, openly challenging the small, brutal world in which they live. Often at odds with one another, mother and daughter are forced to stand together against the escalating hysteria of the trials and the superstitious tyranny that led to the torture and imprisonment of more than 200 people accused of witchcraft. This is the story of Martha's courageous defiance and ultimate death, as told by the daughter who survived.
Kathleen Kent is a tenth generation descendent of Martha Carrier. She paints a haunting portrait, not just of Puritan New England, but also of one family's deep and abiding love in the face of fear and persecution.
The panic and horror of the Salem witch trials in Kent's novel is conveyed with dead-eyed calm and an occasional tremor of emotion by Mare Winningham, whose tempered, dispassionate voice is not given to great displays of drama. Her melodiousness is pleasing to the ear, and Kent's novel becomes a sort of long-form song possessed of many verses and no chorus. At times, the melody overwhelms the meaning, but Winningham is more than capable as a reader, and her reading of Kent's sad tale of women accused and accusing emits a hint of deeply buried, untouchable tragedy. A Little, Brown hardcover (Reviews, June 30). (Sept.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.