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Poet in New York (English and Spanish Edition)

Poet in New York (English and Spanish Edition)
Author: Federico GarcĂ­a Lorca
ISBN 13: 9780374525408
ISBN 10: 374525404
Edition: Bilingual edition
Publisher: Farrar, Straus and Giroux
Publication Date: 1998-06-24
Format: Paperback
Pages: 303
List Price: $18.00

Written while Federico García Lorca was a student at Columbia University in 1929-30, Poet in New York is one of the most important books Lorca produced, and certainly one of the most important books ever published about New York City. Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a pathbreaking and defining work of modern literature.

In honor of the poet's centenary, the celebrated Lorca scholar Christopher Maurer has revised this strange, timeless, and vital book of verse, using much previously unavailable or untranslated material: Lorca's own manuscript of the entire book; witty and insightful letters from the poet to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall); the annotated photographs which accompany those letters; and a prose poem missing from previous editions. Complementing these new addtions are extensive notes and letters, revised versions of all the poems, and an interpretive lectures by Lorca himself.

An excellent introduction to the work of one of the key figures of modern poetry, this bilingual edition of Poet in New York is also a thrilling exposition of the American city in the 20th century.

Publishers Weekly

Garcia Lorca's long out-of-print poetic sequence about New York City, newly translated in this bilingual edition, is as contemporary as today's headlines: slums, racism, violence and cries of loneliness punctuate this verse. Written during the Spanish playwright's nine-month stopover in 1929-30, and steeped in surrealistic technique, his unrelentingly negative antihymn reads the urban condition as symbolic of our culture's materialistic corruption of love and its degradation of nature. Yet one can question the current validity of Garcia Lorca's howl of protest. In vocalizing the stifled rage of Harlem, he implicitly views blacks as somehow more ``natural'' than whites. Conflicted about his own homosexuality, he elevates Whitmanesque love between ``camerados'' over what he sees as a decadent gay subculture. This effective if somewhat flat translation is accompanied by Garcia Lorca's letters and a lecture he delivered on this lyrical work. (March)