From the author of the New York Times bestseller Choke and the cult classic Fight Club, a cunningly plotted novel about the ultimate verbal weapon, one that reinvents the apocalyptic thriller for our times.
Despite the soothing title, readers know better than to anticipate a kinder, gentler novel from the author of Fight Club. On its surface, Lullaby is a fable of supernatural horror, one that concerns a newspaper reporter researching sudden infant death syndrome who discovers a fatal poem in a children's anthology, a verse that kills the listener whenever someone recites (or even thinks) its lines. While trying to destroy every copy of the anthology, he succumbs to the temptation to inflict the poem's evil power on those who annoy him (which, in Palahniuk's universe, means plenty of casualties). Such a plot outline barely hints at the range of the author's thematic obsessions, which here include consumerism, necrophilia, radical environmentalism, class-action suits, identity and free will, sensory overload ("Imagine a plague you catch through your ears") and the never-ending horrors of real estate. Characteristic for Palahniuk, the novel's setup is more subversively engaging than the follow-through, though his writing remains so deliriously rich in ideas and entertaining in its stream-of-conscious riffing that conventions of character, plot and plausibility seem like comparatively empty anachronisms.